objects: 104
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  • exhibition catalogue
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 25.5 x 18 cm.
  • 65 pp.
  • edition size 2000
  • unsigned and unnumbered

Systemic Painting

Lawrence Alloway, Jo Baer, Robert Barry, Al Brunelle, Thomas Downing, Paul Feeley, Dean Fleming, Peter Gourfain, Al Held, Ralph Humphrey, Robert Huot, Ellsworth Kelly, Nicholas Krushenick, Tadaaki Kuwayama, David Lee, Robert Mangold, Agnes Martin, Howard Mehring, Kenneth Noland, David Novros, Larry Poons, Edwin Ruda, Robert Ryman, Frank Stella, Neil Williams, Jack Youngerman, Lawrence Zox

Exhibition catalogue published in conjunction with show held September - October 1966. Essay by Lawrence Alloway. Artists in the exhibition include Jo Baer, Robert Barry, Al Brunelle, Thomas Downing, Paul Feeley, Dean Fleming, Peter Gourfain, Al Held, Ralph Humphrey, Robert Huot, Ellsworth Kelly, Nicholas Krushenick, Tadaaki Kuwayama, David Lee, Robert Mangold, Agnes Martin, Howard Mehring, Kenneth Noland, David Novros, Larry Poons, Edwin Ruda, Robert Ryman, Frank Stella, Neil Williams, Jack Youngerman, and Lawrence Zox. ... [details]

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The Venice Biennale : 1895 - 1965 : From Salon to Goldfish Bowl
  • reference book
  • cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white
  • 23 x 17 cm.
  • 202 pp.
  • edition size unknown
  • unsigned and unnumbered

The Venice Biennale : 1895 - 1965 : From Salon to Goldfish Bowl

Lawrence Alloway

Reference text produced in conjunction with the Venice Biennale, 1968. A historical and critical examination of the Venice Biennale, beginning with its birth in 1895 ; the first work of its kind to be produced in English. ... [details]

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  • exhibition catalogue
  • pictorial wrappers
  • offset-printed
  • spiral bound
  • black-and-white
  • 16.5 x 17.5 cm.
  • [unpaginated]
  • edition size unknown
  • unsigned and unnumbered

This Is Tomorrow

The Independent Group, Nayia Yiakoumaki, Reyner Banham, Lawrence Alloway, Nigel Henderson, Eduardo Paolozzi, Richard Hamilton, William Turnbull, John McHale, Edward Wright

Exhibition catalogue published in conjunction with show held August 9 - September 9, 1956. [details]

London, United Kingdom: Whitechapel Art Gallery,
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Women Artists Newsletter
  • periodical
  • pictorial wrappers
  • offset-printed
  • black-and-white
  • 28 x 21.6 cm.
  • 12 pp.
  • edition size unknown
  • unsigned and unnumbered

Women Artists Newsletter

Vol. 3, No. 7 (January 1978)

Cynthia Navaretta, Barbara Aubin, Abby Tallmer, Harmony Hammond, May Stevens, Joyce Kozloff, Lawrence Alloway, Carter Ratcliff, Hannah Wilke, Judy Seigel, Maureen Wharton, Ellouise Schoettler, Johnnie Johnson, Golda Lewis, Peggie Lowenberg

January 1978 issue of Women Artists Newsletter, edited by Cynthia Navaretta. Articles include: "WCA at the MACAA Conference, October 16-29, Minneapolis," by Barbara Aubin; "Tenth Street Days: The Co-ops of the '50s," by Abby Tallmer; "The Personal & Public in Women's Art: A Panel Discussion on the Occasion of 'Contemporary Women: Consciousness and Content," by Judy Seigel with panelist statements by Harmony Hammond, May Stevens, Joyce Kozloff, Lawrence Alloway, and Carter Ratcliff with a comment from the audience by Hannah Wilke; "Notes of A Native Daughter, Houston Report," by Charlotte Robinson; "Opportunities;" "Where to Show;" "Schedule of Events;" "Solo Shows;" "Group Shows;" "Information Roundup;" "Houston: The Damp Blanket Report," by Judy Seigel; "Houston: Artists and Delegates (Photo Centerfold); "Southwestern Women Artists Panel," by Maureen Wharton; "Seneca Falls South, Women's Artspace," report from Ellouise Schoettler; "Hou$ton," by Judy Seigel; "Houston Poem," by Sylvia Moore; "Slides: Doing It Yourself," by Johnnie Johnson; "The Resume: A Step in the Door," by Barbara Aubin; "1977 Hand Papermakers' Conference," by Golda Lewis; "Reflections on 'Women Artists: 1550-1950," by Peggie Lowenberg; and "Women Artists as Feminists: 1550-1950, Ann Sutherland Harris, Linda Nochlin, and Peter Walsh at the Brooklyn Museum, October 16," by Peggie Lowenberg. [details]

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objects: 104