Issue edited by Al Goldstein. Essays "Lewd Lithography : Rowlandson's Raunch," by D.A. Latimer; "A Virgin's Guide to Buggery," by Dot Smith; "An Interview with a Drag Queen," by Roz Bramms; "The Definative [sic] Piece on the All-American Sex Orgy Part I : The East," by Ken Gual; "Long Island Ass. ... [details]
Issue edited by Al Goldstein. Essays "Big Belly Blues," by Jim Buckley; "Closed Cunts and Open Minds? Is Virginity a Vice?" by Dot Smith; "A Cherry Blossoms," by Bren Nichols; "It's Not How Long You Make It-- It's How You Make It Long!" by Paul Varjack; "Pecker Checker Pine," by Kay Tobin; "Legal Bullshit," by Al Pseudonym; "Amy Vanderfart's Theatre Etiquette : Beavers in the Balcony," by A. ... [details]
Issue edited by Al Goldstein. Essays "[Blue] + [Yellow] = Green $$$ : An Interview with the Director of I Am Curious," by Dan Mouer; "Hookah Heaven : or Splentor and the Grass," by Dot Smith; "Mod Donna : The First Feminist Play," by Al Goldstein and Mary Phillips; "Orgy on D. ... [details]
Issue edited by Al Goldstein. Essays "Stripping for Kicks," by Ken Gaul; "Barney Rosset : Taboo Guru," by Dan Mouer; "Fuck Books : Fucking for the Hell of It," by Michael Perkins; " 'As Ye Give, So Shall Ye Receive' : The Art of 69-ing," by Dot Smith; "Homosexual Citizen : Should You Fuck Someone Over 30? A Guide to Geriatrics," by Lige & Jack; "Down-Under Dummkopfs," by Al Pseudonym; "Rock and Raunch," by Hank Alrecchino; "Screw Goes to Market : Orgy Attire for the 'Out' Crowd," by Robert Sherman; "Dirty Diversions," by Dan Mouer; "Shit List," by Al Goldstein. [details]
Issue edited by Al Goldstein. Essays "Fuckbooks : Oh! Kama Sutra!" by Michael Perkins; "Can Heavenly Bodies Fuck Up Your Sex Life?" by Dean Latimer; "Orgasm : Practice Makes Perfect," by Dot Smith; "The Liberated Woman," by Peggy Garrison; "Homosexual Citizen : Faggot Frippery," by Lige and Jack; "Rock and Raunch," by Hank Arlecchino; "The Sex Scene," edited by Ken Gaul; "Dirty Diversions," by Al Goldstein; "Naked City," by Peter Ogren; "Watson's Weirdness," by Christopher Watson; "Shit List," by Al Goldstein. [details]
Issue edited by Al Goldstein. Essays "Screw You," by Al Goldstein; "My Scene : My Mama Done Blowed Me," by Rick Beckler; "The Underground Glutton : Spic and Spam," by Al Goldstein and Marcia Blackman; "The Liberated Woman : You've Come the Wrong Way, Baby!" by Dot Smith; "Fuck Books," by Michael Perkins; "Homosexual Citizen : Jesus Christ, I Never Promised You a Rose Garden!" by Lige and Jack; "The Sex Scene," edited by Ken Gaul; "Dirty Diversions," by Al Goldstein; "Shit List," by Al Goldstein; "Naked City," edited by Peter Ogren; "Watson's Weirdness," by Christopher Watson. [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Exhibition catalogue published in conjunction with show held in 1968. Text by E.C. Goossen. Artists include: Carl Andre, Darby Bannard, Paul Feeley, Robert Huot, Patricia Johanson, Jasper Johns, Donald Judd, Ellsworth Kelly, Lyman Kipp, Sol LeWitt, Alexander Liberman, Morris Louis, John McCracken, Agnes Martin, Antoni Milkowski, Robert Morris, Kenneth Noland, Doug Ohlson, Georgia O'Keeffe, Raymond Parker, Jackson Pollock, Larry Poons, Ad Reinhardt, Mark Rothko, David Smith, Tony Smith, Robert Smithson, Frank Stella, Clyfford Still, Robert Swain, Sanford Wurmfeld. [details]
Facsimile of book of photographs originally published in 1962. "The only autonomous collection of Jack Smith's photographs to appear during his lifetime, 'The Beautiful Book' comprises 19 hand-tipped black-and-white contact prints (2 1/4 x 2 1/4 inches), originally published in an edition of 200 copies. ... [details]
"This book consists of pictures and essays : pictures of one hundred modern drawings, broadly defined as works on paper, in The Museum of Modern Art, New York; and essays on the subject of each of these drawings and, collectively, of the modern drawing itself and its place in modern art. ... [details]
