Issue Number 8 of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas, published in 14 sections housed in a printed envelope. Contents include: Section 1: "Editorial Note; Ends," by Dan Graham, printed on the envelope of the publication; Section 2: "In Place of a Lecture: Three Musics for Two Voices," by David Antin; Section 3: "Hot/Cold Book," by Terry Atkinson and Michael Baldwin; Section 4: "1 + 1 for One Player and Amplified Table-Top Score," by Philip Glass; Section 5: flexi-disc recording featuring "Young Turtle Asymmetries," by Jackson MacLow and "Drift Study 31 1 69," by La Monte Young; Section 6: "Pendulum Music for Microphones, Amplifiers, Speakers and Performers," by Steve Reich on recto and "Lead Shot," by Richard Serra on verso; Section 7: "Notes on the Continuous Periodic Composite Sound Waveform Environment Realizations," by La Monte Young; Section 8: "Three Distributions," by Yvonne Rainer; Section 9: "Art & Vision : March Bands," by Jo Baer; Section 10: "Introduction to the Young Turtle Asymmetries," by Jackson Mac Low; Section 11: "Ecological Projects," by Dennis Oppenheim and "Los Angeles Project," by Robert Morris; Section 12: "Strata: A Geophotographic Fiction" by Robert Smithson; Section 13: "Parking Lot," by Edward Ruscha; and Section 14: Aspen Magazine Order Form. ... [details]
Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Switzerland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. ... [details]
Exhibition catalogue published in conjunction with an international traveling exhibition of artists' books, 1994. Text by the editor and curator Michael Glasmeier. Cover designed by Jan Voss. Profusely illustrated with full bibliographical data for each entry. ... [details]
Yvonne Rainer's contribution to Issue 8 of "Aspen Magazine : The Fluxus Issue," designed by George Maciunas and edited by Dan Graham. Includes a drawn choreography score, a "Lecture on Moving" with a glossary of terms and a selection of slides from "North East Passing. ... [details]
Two sided folded poster featuring image and text for "Cancelled Crop" by Dennis Oppenheim and "Los Angeles Project" by Robert Morris published as part of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas. [details]
Artist's book by Terry Atkinson and Michael Baldwin published as part of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas. [details]
Robert Smithson's contribution to Issue 8 of "Aspen Magazine : The Fluxus Issue," designed by George Maciunas and edited by Dan Graham. [details]
Single sided card / announcement published in conjunction with show held May 10 - June 3, 1989. Curated by Vik Muniz. Artists included John M. Armleder, Joseph Beuys, Jean Dupuy, Henry Flynt, Ken Friedman, Geoffrey Hendricks, Dick Higgins, Alison Knowles, George Maciunas, Larry Miller, Charlotte Moorman, Claes Oldenburg, Yoko Ono, Nam June Paik, Ben Patterson, Takako Saito, Daniel Spoerri, Ben Vautier and Bob Watts. [details]
Publication produced as a supplement for the Fluxshoe catalog, Fluxshoe Add End A documents the nine month 1972-1973 traveling Fluxus show "Fluxshoe." Organized by Felipe Ehrenberg, Terry Wright and David Mayor with contributions by the participants Joseph Beuys, Alice Hutchins, George Maciunas, Eric Andersen, Barry McCallion, John Gosling, John Plant, Carla Liss, Ludwig Gosewitz, Chris Welch, Mieko Shiomi, Paul Brown, Robert Filliou, Guerrilla Art Action Group [GAAG], The Taj Mahal Travellers, Ay-o, Stuart Brisley, Marc Chaimowicz, Ken Hickman, Paul Sharits, Joe Jones, Will Adams, Ben Vautier, Paul Woodrow, Yoko Ono, Nam June Paik, Wolf Vostell, John O'Neill, Takako Saito, Per Kirkeby, Davi Det Hompson, Elaine Fisher, Clive Robertson, Alison Knowles, Henning Christiansen, Jock Reynolds and many others. ... [details]
Free-standing 2nd version and so-called "small chart" created by George Maciunas to situate Fluxus in the historical canon. Black ink on chartreuse paper. "Today it is fashionable among the avant-garde to broaden and obscure the definition of fine arts to some ambitious realm that includes practically everything. ... [details]