Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part IV," by Albert Elsen; "Phillip King, Sculpture, 1960-1968; by Charles Harrison; "Canada's Arthur McKay," by Terry Fenton; "Earthworks and the New Picturesque," by Sidney Tillim; "The Micro-Paintings of Gene Davis," by Donald Wall; "Kensett at the Whitney," by Jerrold Lanes. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by Philip Leider. Essays "Harlequins, Saltimbanques, Clowns, and Fools," by Theodore Reff; "Picasso: Drawing as if to Possess," by Leo Steinberg; "Sonsbeek: Speculations, Impressions," by Kasha Linville; "Quality in Louis," by Barbara Rose; "The 'Art and Technology' Exhibition at the Los Angeles County Museum (Two Views) Corporate Art," by Jack Burnham; "The Multimillion Dollar Art Boondoggle," by Max Kozloff; "Keith Sonnier at the Modern," by Kenneth Baker; "Anglo-American Standard Reference Works: Acute Conceptualism," by Robert Pincus-Witten. ... [details]
Issue edited by John Coplans. Essays "Franz Kline's Romantic Abstraction," by Harry F. Gaugh; "Robert Cumming's Eccentric Illusions," by Patricia G. Foschi; "Roberto Rossellini and Historical Neorealism," by Tag Gallagher; "Francis Bacon: The Authority of Flesh," by Donald Kuspit; "Rosemarie Castoro: Working Out," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Institution: Whitney Annual," by Lawrence Alloway; "16 Whitney Museum Annuals of American Painting, Percentages 1950-72," by Leon Golub; "Yes! Says Arakawa," by Joseph Masheck; "Eadweard Muybridge: Fragments of a Tesseract," by Hollis Frampton; "Ferdinand Hodler: Expressionism Versus Symbolism," by Robert Pincus-Witten; "Roughly Ordered Thoughs on the Occasion of the Bruce Nauman Retrospective in Los Angeles," by Peter Plagens; "2D/3D," by Leon Golub; "Women Choose Women," by April Kingsley; "Unconscious Formalism, A Response to Andre's Note on the Bechers," by Joe Masheck; "Kandinsky: 'On the Artist'," by Wassily Kandinsky; "An Interview with Emile de Antonio," by Tanya Neufeld; "Joseph Kosuth: 2 Shows," by Bruce Boice. ... [details]
