Volume 25, Number 5 issue of "Leonardo : Journal of the International Society for the Arts, Sciences and Technology" doubling as an exhibition catalogue for the "Third Annual New York Digital Salon" held at the School of Visual Arts, New York, November 13 - 27, 1995. ... [details]
Issue edited by Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough, Felicity D. Scott. Essays include "Beyond the Paradigm of Representation : Goethe on Architecture" by Dorothea E. von Mücke; "The Strategic Universality of trans/formation, 1950 - 1952" by Anna Vallye; "Imaginary Apparatus : Film Production and Urban Planning in New York City, 1966 - 1975" by McLain Clutter. ... [details]
"The work of the late Belgian artist and poet Marcel Broodthaers analyzes the instituitional conditions of art production at the end of the modernist period and is central to current debates on postmodernism. ... [details]
Exhibition catalogue published in conjunction with show held May 7 - August 13, 1989. Text by Mary Jane Jacob, Ann Goldstein, Ann Rorimer, and Howard Singerman. Artists featured in exhibition are Richard Baim, Judith Barry, Ericka Beckman, Gretchen Bender, Dara Birnbaum, Barbara Bloom, Troy Brauntuch, Sarah Charlesworth, Jack Goldstein, Jenny Holzer, Larry Johnson, Ronald Jones, Mike Kelley, Jeff Koons, Barbara Kruger, Louise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo, Allan McCollum, Matt Mullican, Peter Nagy, Stephen Prina, Richard Prince, Cindy Sherman, Laurie Simmons, Haim Steinbach, Mitchell Syrop, James Welling, and Christopher Williams. ... [details]
Compendium of writings and projects for publication by Dan Graham, edited by Brian Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Large-scale artist''''s book deconstructing the boards and trustees of major art museums throughout the United States. The publication examines board memberships, political leanings and the financial support members provide to both art institutions and political parties. ... [details]
Critical theory book by Douglas Crimp with photographs interspersed by Louise Lawler. "On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. ... [details]
"Richard Serra's Tilted Arc, a 120-foot curved Cor-Ten steel structure in New York City's Federal Plaza, was destroyed in the spring of 1989 by the General Services Administration, the federal agency that had commissioned and installed what was Serra's most ambitious and probably most important public sculpture. ... [details]
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. ... [details]
Large-scale critical overview of alternative art spaces in New York City since the 1960s, developed from an exhibition of the same title held at Exit Art, New York, September 24 – November 24, 2010. Edited by Lauren Rosati, Mary Anne Staniszewski. ... [details]