Book of critical theory outlining the intersection of mediums in art after 1950. Edited by Gerald Woods, Philip Thompson and John Williams. Artists include Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf and Edward Wright. ... [details]
Exhibition catalogue published in conjunction with show held June 9 - September 16, 2012. Exhibition curated by Carolyn Christov-Bakargiev. Texts by Carolyn Christov-Bakargiev, Chus Martínez, Franco Berardi. ... [details]
Exhibition catalogue published in conjunction with show held at Franklin Furnace, New York, September 18 - November 14, 1992 ; the Emily Harvey Gallery, New York, September 18 - November 14, 1992 ; and the Anthology Film Archives, September 19 - October 11, 1992. ... [details]
"This publication reunites Mike Kelley's major interviews with artists and cultural figures such as AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, and John Waters, outlining, in the same manner as his critical essays, an artistic genealogy that draws its references from American popular culture, scientific and historical research, and the inhibitions of Western society. ... [details]
Issue edited by Ida Panicelli. Essays "Object: Maud Lavin on New Traditionalism and Corporate Identity," by Maud Lavin; "Invisibility Blues: Michele Wallace on Doing the Real Thing," by Michele Wallace; "Books: Marianna Torgovnik on the Art of the Monument," by Marianna Torgoynik; "Believe it or Not: J. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]