Artist's book by Daniel Buren consisting of writing by the artist. Includes color diagrams, list of errata and additions, and a bibliography. All text in English. [details]
Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts) was the third artist's book conceived by John Baldessari consisting of fourteen loose sheets. Twelve pages document photographically the artist's attempts to throw three orange balls in the air to form a straight line, the best of thirty-six attempts [thirty-six being the length of a roll of color photographic film]. ... [details]
Innovative exhibition catalogue in the form of a paper folded with a red flexi-disk attached to two sheets of heavy paper, one of which has installation photographs, the other with texts by Jan van der Marck describing a number of Whitman's works - including "Window (1963)," "Shower (1964)," "Dressing Table (1964)," " Sink (1964)," as well as "4 Cinema Pieces" which was presented at the Museum. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Body's Shadow Realm," by Gertrud Koch; "Looking Awry," by Slavoj Žižek; "The Sartorial Superego," by Joan Copjec; "Spectacle, Attention, Counter-Memory," by Jonathan Crary; "The Rock 'n' Roll Ghost," by Andrew Ross. [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Martha Buskirk. Essays "The Emergence of Cultural Studies and the Crisis of the Humanities," by Stuart Hall; "Federal Papers," by Catharine Stimpson; "Political Detention: Countering the University," by Barbara Harlow; "Words without Things: The Mode of Information," by Mark Poster; "Power and Freedom: Opposition and the Humanities," by Paul A. ... [details]