Artists' publication / 'zine produced in conjunction with exhibition held at October - November 1990. Curated by Richard Phillips this publication takes the format of an "assembling" / 'zine featuring essays by Phillips and Joshua Decter ["Thrash Criticism"] and artists' projects by the exhibition participants. ... [details]
Issue edited by Ida Panicelli. Essays "On Location: Barbara Kirshenblatt-Gimblett on Producing Ellis Island," by Barbara Kirshenblatt-Gimblett; "Special Effects: Carol Squiers on Photo Allure," by Carol Squiers; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "The Cave: Michael Tarantino on Krzysztof Kieslowski," by Michael Tarantino; "Head to Toe: Valerie Steele on Retro Fashion," by Valerie Steele; "Curies' Children: Vilém Flusser on Art and Politics," by Vilém Flusser; "Exits and Entrances: Joan Acocella on Martha Clarke's 'Endangered Species,'" by Joan Acocella; "A Drawing Page: A Project for Artforum," by Jonathan Borofsky; "Read Read Rosens," by Judith Russi Kirshner; "Skyscrapers, the Late Imperial Mob," by Max Kozloff; "AIDS Timeline: A Project for Day Without Art 1990," by Group Material; "Industrious Art," by Amy Baker Sandback; "Medium Hot: Alberto Burri," by Massimo Carboni; "High Art Lowdown: A Project for Artforum," by Art Spiegelman; "Ryder on the Storm," by Bill Jensen; "Art or the Caress: A Project for Artforum," By Aimee Morgana; "Off Kilter: The Citizens' Theatre," by Michael Coveney. ... [details]
Issue number 111 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Grace Roselli and Barbara Rusin. Essays "Caught Looking..." by Grace Roselli & Barbara Rusin; "Boudoir," by Shelagh Keeley; "As the Subject as the Object (Me, She, Her, I)," by Sarah Schwartz; "Parlor Games," by Charles Yuen; "What You See is Not Always What You Get: Voyeurism and the Primal Scene in Art," by Danielle Knafo; "Rooftop and Other Scenes," by Michel Auder; "Nu a La Toilette," by Ariane Lopez-Huici; "The Sadistic Eye: Violence and Cultural Spectacle," by Aimee Morgana; "Something Private," by Jocelyn Taylor; "Clinical Subject Positions. ... [details]
