Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. ... [details]
Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. ... [details]
Fall 1987 issue of October, a special issued dedicated to "Broodthaers: Writings, Interviews, Photographs," edited by Benjamin H. D. Buchloh. Additional editors: Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. ... [details]
Catalogue from 1985 offering for rental and sale 200 video programs by 85 independent producers of experimental video as well as back issues of Video Data Banks publication "Profile." Artists include Vito Acconci, Chantal Akerman,Max Almy, Laurie Anderson, Carl Andre, Eleanor Antin, Betty Asher, Dore Ashton, Alice Aycock, Myrna Bain, John Baldessari, Jennifer Bartlett, Gregory Battcock, Romare Bearden, Billy Al Bengston, Joseph Beuys, Dara Birnbaum, Louise Bourgeois, Stan Brakhage, Joan Brown, Roger Brown, John Cage, Judy Chicago, Christo, Chuck Close, A. ... [details]
Exhibition catalogue published in conjunction with show held at Corcoran Gallery of Art, November 24 - December 28, 1969. Traveled to the Detroit Institute of Arts, January 8 - February 8, 1970. Essay by Annette Michelson. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Comprehensive history of the founding and first decade of Artforum from 1962 through 1974. Composed of interviews conducted by Amy Newman between 1963 and 1999. Contributors include John Baldessari, Richard Bellamy, Lynda Benglis, Maurice Berger, Irving Blum, Mel Bochner, Chuck Close, John Coplans, Charles Cowles, Michael Fried, Serge Guilbaut, Nancy Holt, Max Kozloff, Hilton Kramer, Rosalind E. ... [details]
Exhibition catalogue published in conjunction with show held January - April 1994. Introduction by Thomas Krens, texts by Rosalind Krauss, Maurice Berger, David Antin, Annette Michelson, W.J.T. Mitchell, Jean-Pierre Criqui and Kimberly Paice. ... [details]
Volume of critical theory on "New American Cinema," edited, with an introduction by Gregory Battcock." Includes contributions by: Jonas Mekas, Ken Kelman, David Ehrenstein, Fred Wellington, Taylor Mead, Andrew Sarris, Rudolf Arnheim, Parker Tyler, Henry Geldzahler, Annette Michelson, Charles Boultenhouse, Ronald Tavel, Kenneth King, Amos Vogel, John Bernard Myers, Toby Mussman (on Marcel Duchamp), P. ... [details]
Exhibition catalogue published in conjunction with show held January - April 1994. Introduction by Thomas Krens, texts by Rosalind Krauss, Maurice Berger, David Antin, Annette Michelson, W.J.T. Mitchell, Jean-Pierre Criqui and Kimberly Paice. ... [details]