Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. ... [details]
Two volume exhibition catalogue published in conjunction with show held at Museum Fridericianum, Neue Galerie, Orangerie, Karlsaue, Kassel, Germany, June 19 - September 28, 1982. Introduction by R.H. Fuchs, artistic director. ... [details]
Exhibition catalogue published in conjunction with show held June 12 - August 1, 1982. Exhibition juried by Benjamin Buchloh, Richard Koshalek and Brenda Richardson. Extended introduction by Anne Rorimer. ... [details]
Poster published in conjunction with an annual exhibition of emerging artists held June 1 - 29, 1984. Artists included Thomas Stimm, Mike Parr, Jolie Stahl, Cam Slocum, Morgan Garwood, Ken Unsworth, Marcus Leatherdale, Pablo Cano, Bruno Schmidt, Colin Smith, Janet Cooling, Jim Lutes, Donald McFadyen, Henry C. ... [details]
Large-scale exhibition catalogue published in conjunction with show held May 18 - August 14, 1989. Essays by Jean-Hubert Martin, Aline Luque, Mark Francis, André Magnin, Pierre Gaudibert, Thomas McEvilley, Homi Bhabha, Jacques Soulillou, and Bernard Marcadé. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]