Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski ; Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. ... [details]
Compilation of documents - newspaper articles, editorials, correspondences between museum officials, flyers, writings, and manifestos - by Women Artists in Revolution (W.A.R.) from 1969 to 1971. Members of W. ... [details]
"First published in 1971, A Documentary HerStory of Women Artists in Revolution documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world. ... [details]
Anthology of writing by American artists edited by Ellen H. Johnson. Includes contributions (interviews and statements, primarily) by Ellen H. Johnson, Jackson Pollock, William Wright, Adolph Gottlieb, Barnett Newman, Willem de Kooning, Franz Kline, David Sylvester, Clement Greenberg, Mark Rothko, Robert Motherwell, Ad Reinhardt, Cleve Gray, David Smith, Louise Nevelson, Kenneth Noland, Jules Olitski, Cindy Nemser, Allan Kaprow, Michael Kirby, Jim Dine, Claes Oldenburg, Robert Whitman, John Cage, Jasper Johns, G. ... [details]
Exhibition catalogue published in conjunction with show held January 22 - February 14, 1972. Text by Flemming Koefoed, Robert Smithson, P. Adams Sitney, François Pluchart, Cindy Nemser interview with Vito Acconci, Acconci, Stig Brøgger, Per Kirkeby, Dennis Oppenheim, Richard Serra, Georg Jappe and Gottfried Sello. ... [details]
A critical anthology on Super Realism edited by Gregory Battcock. Essays "The Real Thing," by Gerrit Henry; "Rent is the Only Reality, or the Hotel Instead of the Hymns," by Ivan Karp; "The Deductive Image," by J. ... [details]
Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
