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Real Life Magazine
  • periodical
  • illustrated wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 27.8 x 21.3 cm.
  • 44 pp.
  • edition size unknown
  • unsigned and unnumbered

Real Life Magazine

No. 17 / 18 (Winter 1987 / 1988)

Thomas Lawson, Adrian Piper, Peter Coates, Maria Reidelbach, Raul Cristancho, Graham Stewart, Susan Morgan, Alex Caldiero, David Furman, John A. Walker, Ida Applebroog, Jude Schwendenwien

Issue seventeen / eighteen of Real Life Magazine, edited by Thomas Lawson. Contents include: "An Open Letter to Donald Kuspit," by Adrian Piper; "Frontiers of Chaos," by Peter Coates and Maria Reidelbach; "Huelgamos," by Raul Cristancho and Graham Stewart; "When X Does Not Equal Y," by Susan Morgan; "Lost and Found: An Archeological Composition," by Alex Caldiero and David Furman; "Thunder Mountain;" "The Architect as Superman," by John A. ... [details]

out of stock
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  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

out of stock
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Fictive Victims : An Exhibition of New Art
  • exhibition catalogue
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 24 x 18.8 cm.
  • [20] pp.
  • edition size 500
  • unsigned and unnumbered

Fictive Victims : An Exhibition of New Art

Robert Longo, Valerie Smith, Gretchen Bender, Peter Fleps, Peter Coates, Mark Innerst, Anne Doran, Bill Komoski, Jim Isermann

Exhibition catalogue for show held [September 18] - October 13, 1981. Introduction by exhibition curator, Robert Longo, with text by Valerie Smith. Show included artists Gretchen Bender, Peter Fleps, Peter Coates, Mark Innerst, Anne Doran, Bill Komoski, and Jim Isermann. ... [details]

Buffalo, NY: Hallwalls,
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$75.00
Condition:  Fine. Covers and contents clean and unmarked.
[Object # 39246]
Forced Sentiment
  • exhibition catalogue
  • wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 22.2 x 15.3 cm.
  • [28] pp.
  • edition size unknown
  • unsigned and unnumbered

Forced Sentiment

Robert Longo, Peter Coates, Anne Doran, Steven Koivisto, Kevin Larmon, Joel Otterson, Steven Parrino, Anne Surprenant, Collins & Milazzo [Tracia Colllins & Richard Milazzo]

Exhibition catalogue published in conjunction with show held December 8, 1984 - January 12, 1985. Organized and with a preface by Robert Longo. Essay by Collins & Milazzo [Tracia Collins & Richard Milazzo]. ... [details]

New York, NY: Artists Space,
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out of stock
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objects: 4
1