10 pack of stickers featuring the images of the five field emblem symbols designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003. ... [details]
Complete set of five cloth field emblem patches designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003. Each symbol corresponds to a chapter of the cycle: CREMASTER 1, a Goodyear boot with wings; CREMASTER 2, flags and beehive with the dates 1893-1977; CREMASTER 3, eagles and the Chrysler building; CREMASTER 4, three legs without bodies; and CREMASTER 5, a black fleur-de-lis. [details]
One of five cloth field emblem patches designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003, emblematic of Cremaster 5. [details]
Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]
Double sided announcement card for film showing held at Film Forum, October 22 - November 4, [1997] and exhibition held at Barbara Gladstone Gallery, October 25 - December 20, [1997]. Cremaster 5 logo on recto and typography on verso with line drawing of Cremaster logo. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]
Compendium of jokes and messages from a file on Seth Siegelaub's computer found by Marja Bloem after his death. "These jokes, quotes, and pieces of advice had been collected by Seth since 1999 and were redistributed regularly via email amongst his friends. ... [details]
Book of critical theory by Jean Baudrillard. Translated with an introduction by Mark Poster. Cover design by Suzanne Alt. "Mirror of Production" was THE book that everybody in the artworld had in their back pockets in the 1980s. ... [details]
Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; and "Balkon," by Robert Ohrt. ... [details]
