April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]
Compendium of jokes and messages from a file on Seth Siegelaub's computer found by Marja Bloem after his death. "These jokes, quotes, and pieces of advice had been collected by Seth since 1999 and were redistributed regularly via email amongst his friends. ... [details]
Large-scale compendium of artists' writings edited by Kristine Stiles and Peter Selz. Artists include Jackson Pollock, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Joan Mitchell, Louise Bourgeois, Alfred H. ... [details]
Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. ... [details]
Issue no. 4-5 in a series of bibliographies which attempted "to compile a global, multi-lingual, annotated bibliography of Marxist studies on all aspects of communication." -- from the introduction by Seth Siegelaub, director of the International Mass Media Research Center. [details]
Issue no. 6-7 in a series of bibliographies which attempted "to compile a global multi-lingual, annotated bibliography of Marxist, left and critical studies on all aspects of communication and culture. ... [details]
Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site-specific project for the publication. ... [details]
Exhibition catalogue published in conjunction with the last physical exhibition mounted by Seth Siegelaub in his gallery, held January 5 - 31, 1969. Publication including three to four pages of exhibited works by Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner. ... [details]