Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Artist's book by Christopher Williams featuring a series of black-and-white photographs. Essay by Tom McDonough. [details]
Poster printed on pale buff-green paper published in conjunction with performance of the FluxOrchestra at Carnegie Recital Hall, New York, September 25 [1965] with La Monte Young conducting and costumes by Robert Watts. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts College of Art Bakalar and Huntington Galleries, Boston, January 20 - March 4, 2000. Essays by Robert E. Alvis and Louise Myers Kawada. ... [details]
Exhibition catalogue published in conjunction with show held November 21, 2006 - May 20, 2007. Curated by Maria de Corral and Charles Wylie. Edited and with contributions by Maria de Corral and John R. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
June 8, 1992 issue of Newsweek, edited by Maynard Parker. Contents include: "Periscope," with bureau reports by Ned Zeman and Lucy Howard; "Let the Walls Down," by Stephen Langfur; "Letters;" "Perspectives;" "Whose Values," by Joe Klein, with artwork by Barbara Kruger; "Playing on the 'V Word,'" by Howard Fineman; "First Lady Culture Clash," by Eleanor Clift; "Values in the Classroom," by Eloise Salholz with Tony Clifton in New York, Patricia King in San Francisco, Karen Springen in Chicago, Howard Manly in Atlanta and Debra Rosenberg in Boston; "A Mother's Guiding Message," Marian Wright Edelman interviewed by Eleanor Clift; "Why the Old Media's Losing Control," by Jonathan Alter; "'You in Congress, Listen Up': Sounding the alarm against those who think the country is only the sum of its special interests," by David H. ... [details]
Large-scale survey publication of "New Art," published in 1984. Edited by Phyllis Freeman, Eric Himmel, Edith Pavese, and Anne Yarowsky. Artists include: Vito Acconci, John Ahearn, Laurie Anderson, Giovanni Anselmo, Richard Artschwager, Alice Aycock, Luis Cruz Azaceta, Jennifer Bartlett, Georg Baselitz, Jean Michel Basquiat, Lynda Benglis, James Biederman, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, James Brown, Roger Brown, Chris Burden, Johnathan Burke, Scott Burton, Deborah Butterfield, Louia Chase, Sandro Chia, Christo, Francesco Clemente, Tony Cragg, Enzo Cucchi, Agnes Denes, David Deutsch, Martha Diamond, Martin Disler, John Duff, Cynthia Eardley, Jonathan Ellis, Jackie Ferrara, Eric Fischl, Janet Fish, Luis Frangella, Jane Freilicher, Jedd Garet, Gérard Garouste, Gilbert & George, Gregory Gillespie, Nancy Graves, Rodney Alan Greenblat, Jan Groover, Dieter Hacker, Richard Hambleton, Keith Haring, Howard Hodgkin, Jenny Holzer, Bryan Hunt, Jörg Immendorff, Neil Jenney, Bill Jensen, Steven Keister, Anselm Kiefer, Ken Kiff, Komar and Melamid, Barbara Kruger, Stephen Lack, Lois Lane, Christopher le Brun, Richard Long, Robert Longo, Markus Lüpertz, Robert Mapplethorpe, Michael Mazur, Mario Merz, Melissa Miller, Mary Miss, Malcom Morley, Robert Moskowitz, Elizabeth Murray, Paul Narkiewicz, Nic Nicosia, Jim Nutt, Tom Otterness, Mimmo Paladino, Ed Paschke, A. ... [details]
Catalogue of prints produced by Cirrus Editions between 1973 and 1974. Includes short text and index of the staff of Cirrus: Ed Hamilton, Chris Cordes, Charles Levine, Mary Sundstrom, Perry Tymeson, Jane Aman, Constance Lewallen, Elizabeth Jerde, Terry Inch and Jean Milant. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]