Issue number 9 of ZG Magazine, edited by Rosetta Brooks. Contents include: "My Death, My Life by Pier Paulo Pasolini," an Extract from New York writer Kathy Acker's New Novel; "You No Wanna Dadda" by Barbara Kruger; "Rock Videos: Another World," By Michael Boodro; "Twin Desires: The Art of Troy Brauntuch, David Salle, Jack Goldstein," by Merope Lolis; "Seeing and Believing," by Jonathan Miles; "Junk Culture: The Uses of Affluence," by Brian Hatton; "Before the Storm: Two Interviews with Eric Bogosian," interviews by Howard Halle, co-edited with Amy Lowe, and by Steve Roeser; "Fashion Fictions: Absence and the Fast Heartbeat," by Dena Shottenkirk; "George is Dead: Boys from the Blacckstuff: A British T. ... [details]
Exhibition catalogue published in conjunction with show held at the Vancouver Art Gallery, Canada, February 20 - June 12, 2016. Curated by Daina Augaitis, Bruce Grenville, and Stephanie Rebick. Essays by Dawn Ades, Patrik Andersson, Isabelle Arvers, Daina Augaitis, John Baldessari, Nicolas Bourriaud, Nicholas Chambers, Francesca Coppa, Lisa Coulthard, Michael Darling, Kaat Debo, Guy Debord, Amelia Does, Marcel Duchamp, Todd Falkowsky, Diana Freundl, Amber Frid-Jimenez, Ellen Gallagher, Richard Goldstein, Inka Graeve Ingelmann, Bruce Grenville, Makiko Hara, Hannah Höch, Helen Hsu, Suzanne P. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Comprehensive history of the founding and first decade of Artforum from 1962 through 1974. Composed of interviews conducted by Amy Newman between 1963 and 1999. Contributors include John Baldessari, Richard Bellamy, Lynda Benglis, Maurice Berger, Irving Blum, Mel Bochner, Chuck Close, John Coplans, Charles Cowles, Michael Fried, Serge Guilbaut, Nancy Holt, Max Kozloff, Hilton Kramer, Rosalind E. ... [details]
Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
Exhibition catalogue for show held April 27 - June 18, 2000. Curated by David Toop. Exhibition featured sound works by Angela Bulloch, Paul Burwell, Disinformation, Heri Dono, Max Eastley, Brian Eno, Paulo Feliciano and Rafael Toral, Greyworld, Stephan von Huene, Ryoji Ikeda, Philip Jeck, Thomas Koner, Vhristina Kunisch, Chico MacMurtrie, Christian Marclay, Russell Mills and Ian Walton, Mariko Mori, John Osward, Pan Sonic, Project Dark, Lee Ranaldo, Scanner and Katarina Matiasek, Paul Schutze. ... [details]
Untitled publication issued, without attribution by Feature Gallery, circa 2010. Includes contributions by Oren Slor, Matthew Higgs, Paul Thek, Raymond Pettibon, Sam Gordon, Rene Santos, Lily van der Stokker, B. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Blake Stimson and Thomas Struth on Bernd Becher," by Blake Stimson and Thomas Struth; "Passages: Maria Morris Hambourg on John Szarkowski," by Maria Morris Hambourg; "Books: Elizabeth Schambelam on 'The So-Called Utopia of the Centre Beaubourg," by Elizabeth Schambelan; "Film: Jason Simon on Chris Marker," by Jason Simon; "Media: Julia Bryan-Wilson on '9 Scripts from a Nation at War,'" by Julia Bryan-Wilson; "Sound: Bennett Simpson on David Grubbs and Susan Howe," by Bennett Simpson; "Architecture: Aaron Betsky on Steven Holl's Bloch Building," by Aaron Betsky; "Slant: Rosalind Krauss on 'Invisible Colors,'" by Rosalind Krauss; "Top Ten," by Rosalind Nashashibi; "The Art of Production: Introduction," by Scott Rothkopf; "Industrial Revolution: The History of Fabrication," by Michelle Kuo with production notes by Andrea Zittel and Roni Horn; "The Server/User Mode: The Art of Olafur Eliasson," by Caroline A. ... [details]