Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Spring 1977 issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Theron Kelley. Contents include: "Untitled," by John Lanzone; "Acknowledgements;" "Introduction," by J. Hugunin; "A Talk with Ed Ruscha," interview by Gary Lloyd; "Pinocchio," by Claus Boehmler; "The Designated Blank Book," by Loren D. ... [details]
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Issue number two out (of six issues published) of the periodical It is. published from 1958 - 1965. Collated by P.G. Pavlia, directed by Sebastian Gallo. Contents include: "Dialogue Found in Brooklyn Cellar," by John Asher; "Sound, Noise, Varese and Boulez," by Morton Feldman; "On Innocence in Abstract Painting," by John Ferren; "Glossary," by Aristodimos Kaldis; "4 Excerpts," by Piet Mondrian; "Artaud: Review/Essay," by E. ... [details]
Exhibition catalogue published in conjunction with show held at Residenzschloss Dresden, November 10, 2023 - February 18, 2024. Exhibition includes artists postcards by over 200 artists from the private collection of the British writer Jeremy Cooper, first exhibited in part at the British Museum, London, in 2019. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E. ... [details]
Issue number 3 of Shiny International, edited by Michael Friedman. Contents include: interview with Eiko Ishioka by Tim Tucker and Steven Hall; interview with Mike Kelley by Ed Smith; interview with Fetchin Bones by Michael Friedman; interview with Arthur Russell by Todd Eberle; interview with Steve Poleskie by Steven Hall; Prose by Dennis Cooper, Peter Cherches, and Cheri Fein; poetry by Ron Padgett, Joe Brainard, Brad Gooch, David Trinidad, Eileen Myles, Jeffrey Jullich, Sal Salasin, and Tom Savage; and "Photo Features" a portfolio by Allen Ginsberg, Fashion photography by Roméo / Latty with fashion by Brian Early, and band photographs by Todd Eberle of Hugo Largo, Zeitgeist, and Wednesday Week. ... [details]
Anthology of records by artists from 1958 - 1990 organized and with an essay by Giorgio Maffei. Artists / bands include: Marina Abramovic, Yaakov Agam (Jacob Gipstein), Albrecht D., Lucio Amelio, Cy Twombly, Robert Mapplethorpe, Charles Amirkhanian, Laurie Anderson, Karel Appel, Art & Language, The Red Crayola, Richard Artschwager, Robert Ashley, Attersee, Gerhard Rühm, Vittore Baroni, Robert Barry, François Baschet, Bernard Baschet, Jacques Lasry, Georg Baselitz, Cathy Berberian, Harry Bertoia, Marco Bertoni, Enrico Serotti, Joseph Beuys, Henning Christiansen, Nam June Paik, Bill Bissett, Eric Bogosian, Claus Böhmler, Christian Boltanski, Jean-François Bory, Glenn Branca, Jean-Louis Brau, Gil J. ... [details]
Issue number 111 / 112 of Design Quarterly serving as an exhibition catalogue published in conjunction with show "The Elusive Image" held September 30 - November 18, 1979. Edited and with an editors note by Mildred S. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]