Undated two sided postcard featuring a photograph of the North Gunshed building at The Chinati Foundation in Marfa, Texas which houses a permanent Donald Judd installation. Photo by Todd Eberle. [details]
Issue number 3 of Shiny International, edited by Michael Friedman. Contents include: interview with Eiko Ishioka by Tim Tucker and Steven Hall; interview with Mike Kelley by Ed Smith; interview with Fetchin Bones by Michael Friedman; interview with Arthur Russell by Todd Eberle; interview with Steve Poleskie by Steven Hall; Prose by Dennis Cooper, Peter Cherches, and Cheri Fein; poetry by Ron Padgett, Joe Brainard, Brad Gooch, David Trinidad, Eileen Myles, Jeffrey Jullich, Sal Salasin, and Tom Savage; and "Photo Features" a portfolio by Allen Ginsberg, Fashion photography by Roméo / Latty with fashion by Brian Early, and band photographs by Todd Eberle of Hugo Largo, Zeitgeist, and Wednesday Week. ... [details]
Single fold exhibition brochure / announcement published in conjunction with an installation of Judd's furniture in his 101 Spring Street building held November 1992 - March 1993. Incorporates a photograph by Todd Eberle [details]
July 1992 issue of Vanity Fair. Edited by Tina Braun. Contents include: "The Selling of Rodney King," by Peter J. Boyer; "Earth Angel," by Steven Bach; "Wild About Perry," by Kevin Sessums; "Chronicle of a Death Foretold," by Leslie and Andrew Cockburn; "Foreward March!," Helmut Newton spotlights Jane March; "Art Oasis: Painter and Sculptor Donald Judd is building an artists' Utopia in the wilds of West Texas," by Mark Stevens, photographs by Todd Eberle; "King Rap," an article on Russell Simmons by Lynn Hirschberg, photographs by Bruce Weber; "Eyre Apparent," by Richard Eyre; "Proud Mary," by Maureen Orth; "Don't Cry for Me, Indonesia," by Bob Colacello; "Editors Letter: 'The Untouchables'"; "Dispatches," by Jesse Kornbluth; "Mixed Media," by James Wolcott; "New Age," by John Seabrook; "Planetarium," by Michael Lutin; "Letters;" "Fanfair;" and "Flashback: Jesse Owens, September 1935. ... [details]
Catalogue to accompany Matthew Ritchie's public art project "The Morning Line," a structure designed for sonic and visual collaborations, exhibited at Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2012. ... [details]
Well crafted exhibition catalogue for show held at PaceWildenstein, April 22 - June 18, 2005. Extensive text by Richard Morphet touching on relationship of Oldenburg / van Bruggen's works with notions of leisure, music and musical instruments within art history. ... [details]
