Issue edited by Bice Curiger. Essays "Vija Celmins," by Sheena Wagstaff; "Larry Clark: What Is This?," by Jim Lewis; "Working With Success - Working With Unsuccess," by Rudolf Bumiller; "Imi Knoebel and Grace Kelly: The High," by Rainer Crone / David Moos; "Imi Knoebel First Impressions," by Lisa Liebmann; "The Transgressions of Sherrie Levine," by Daniela Salvioni; "Presence Withdrawn," by Erich Franz; "Looking After Sherrie Levine," by Howard Singerman; "Making Work And Turning York Back On It: Bethan Huws," by Liam Gillick; "The Work of Art as the Ideal Center for Human Beings Walter De Maria's the 2000 Sculpture," by Thomas Kellein; "Les Infos Du Paradis," by International Time Capsule Society; "Cumulus From America," by Ralph Rugoff; "Cumulus Aus Europa," by Robert Fleck; "Balkon," by Jeanne Silverthorne. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Essays "Penis Plenty or Phallic Lack: Exit Mister Punch," by Marina Warner; "On Dennis Oppenheim," by G. Roger Denson; "Provocation and Poetic Enigma," by Véronique Bacchetta; "As Objects of," by Barrett Watten; "How feminist are Rosemarie Trockel's objects?," by Anne M. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Exhibition catalogue published in conjunction with show held at The Museum of Contemporary Art, Los Angeles, July 18 - October 18, 1998. Traveled to Carnegie Museum of Art, Pittsburgh, November 21, 1998 - January 31, 1999. ... [details]
Exhibition catalogue, vinyl record and Audio CD published in conjunction with show held at Twentieth Century Women's Club, February 14 - 21, 1998 and at Ellen Birrell's Studio, Eagle Rock, California, February 22 - March 17, 1998. ... [details]
"The outcome of a road trip to Las Vegas by artist Jack Pierson and author Jim Lewis, Real Gone is neither a travel guide nor a photo-essay. Instead, the collaborators have created a work which lies somewhere between fiction and fact. ... [details]
Exhibition catalogue published in conjunction with show held at the Whitney Museum of American Art, New York, May 1 - July 12, 1992. Traveled to the Kunstverein Düsseldorf, Germany, December 4, 1992 - January 20, 1983; the San Francisco Museum of Modern Art, April 29 - July 25, 1993; and the Museum Boymans-van Beuningen, Rotterdam, October 3 - November 27, 1993. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Exhibition catalogue published in conjunction with show held January 15 - February 10, 1977. Proposed and curated by Tom Jimmerson and Helen N. Lewis. Includes works by Michael Asher, David Askevold, and Richard Long. ... [details]