Exhibition catalogue published in conjunction with show held at the Seattle Art Museum Pavilion, Seattle, Washington, September 5 - October 5, 1969. The catalogue consists of 137 printed 4 x 6 inch index cards containing artists' proposals and conceptual works.
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"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format.
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Critical theory, "features writing in a range of styles and perspectives by some of the world''s leading authors. It includes commentaries by National Book Critics Circle Award winner Amy Gerstler, MacArthur Fellow Lewis Hyde, chef Maricel Presilla, NPR All Things Considered humorist Bob Morris, and MAM Assistant Director for Special Projects/Curator Lorie Mertes among others.
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Exhibition in the form of a book published April - May, 2020. "Without a place to go to experience art and without a place to go to share art. Thinking the next best thing to an object is not an online viewing room but a page.
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