Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]
Issue edited by Bice Curiger. Essays "Orozco in Paris," by Claude Gintz; "Kasseböhmer's Trees," by Walter Grasskamp; "Felix Gonzalez-Torres: Travelogue," by Nancy Spector; "In Purgatory: The Work of Felix Gonzalez-Torres," by Simon Watney; "Felix Gonzalez-Torres: Social Works," by Susan Tallman; "A Room by Wolfgang Laib in the Centre Pompidou," by Didier Semin; "More than Myself," by Clare Farrow; "A Waxroom in the Mountain," by Jean-Marc Avrilla; "Medicine Man - Proposing a Context for Wolfgang Liab's Work," by Thomas McEvilley; "Matthew Barney's Fornication with the Fabric of Space," by Neville Wakefield; "Les Infos Du Paradis: On Burt Barr," by Lynne Cooke and Klaus Kertess; "Cumulus Aus Europa," by Eric Troncy; "Cumulus From America," by Meyer Vaisman; "Balkon," by Laura Arici. ... [details]
Issue edited by Bice Curiger. Essays "Sophie Calle: C'est Mon Plaisir," by Sheena Wagstaff; "Alighiero E Boetti," by Jean-Christopher Ammann; "Alighiero E Boetti," by Giovan Battista Salerno; "Alighiero e Boetti: The Difference between Invention and Exploration or from Geography to Experience with Two Maps," by Rainer Crone and David Moos; "The Halted Gesture Of Writing," by Friedemann Malsch; "Logic And Disruption In The Work Of Alighiero E Boetti," by Jean-Pierre Bordaz; "Franz West," by Herbert Lachmayer and Brigitte Felderer; "Mike Kelley: B-B-Bildung / C-Culture And B-Culture," by Jutta Koether; "War - Sign - War," "Inquiries On Afghan Rugs," by Friedrich Kittler; "Les Infos Du Paradis: Interview," by Trevor Fairbrother, Meyer Vaisman, Andy Warhol; "Cumulus From America," by David Rimanelli; "Cumulus Aus Europa," by Kimmo Sarje; "Balkon," by Bernard Marcadé. ... [details]
Issue edited by Bice Curiger. Essays "Bush Natural," by Marina Warner; "Controlled Disorder - John M Armleder," by Claude Ritschard; "The Power Of Intimacy," by Josef Helfenstein; "'I Am A Woman With No Secrets' - Statements By Louise Bourgeois," by Christiane Meyer-Thoss; "Pretty As A Picture: Louise Bourgeois' Fillette," by Mignon Nixon; "Louise Bourgeois' Défi," by Manuel J. ... [details]
Issue edited by Bice Curiger. Essays "On Asta Gröting," by Gudrun Indoen; "Gary Hill: 'Who am I but a figure of speech?'," by Lynne Cooke; "A Conversation with Ilya Kabakov: 'With Russia on your Back,'" by Boris Groys; "The Architect of Emptiness," by Robert Storr; "On Lies and Other Truths," by Jan Thorn-Prikker; "Kabakov's Twinkle," by Claudia Jolles; "Bad Jokes," by Edmund White; "To Know, Know, Know Him," by Susan Tallman; "Richard Prince, Realist," by Daniela Salvioni; "Red Wings: Concerning Richard Prince's 'Spiritual America,'" by Kathy Acker; "Abstract Monsters," by Patrick McGrath; "Les Infos Du Paradis," by Jo Anna Isaak; "Cumulus From America," by Hunter Drohojowska; "Cumulus Aus Europa," by Eleonora Louis and Christoph Geissmar; "Balkon," by Edward Ball. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Inaugural issue of Journal 188, edited by Meredith Allen, Joan Ratajack, and Lynette Diaz. Contents include: "Cutting," by D. Travers Scott; "Invisible Girls," by Barbara Seyda; "(excerpt from) The Double Standard," by Kathe Burkhart; "Poetry," by Kathleen McShane, John Hosford, Robert Monda, Nancy Taylor, Leslie Ladds, Catherine Jackson; and "Art," by Jude Schwendenwien, Chuck Agro, Joel Peter Johnson, Ebon Fisher, Lisa Haney, Terry Corgey, Susan Cowles, Robin Locke Monda, Alfred Stuart, Carol Sun, Doug Aitken, Rebecca Bailen, Guerrilla Girls, Joyce Roeutter, Madonna Dunbar, Yael Routtenberg, Kerr & Malley, and Deborah Whitney; and "Bios. ... [details]
July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. ... [details]
Issue no. 3 of X-X-X-Fruit, the Diaries issue. Introduction by Anne-Christine d'Adesky. Artists include Nan Goldin, Robert Mapplethorpe, Ann Rower, Dodie Bellamy, George Jochnowitz, Bob Flanagan, Glenn Belverio, Chris Kraus, Linda Yablonsky, Kathe Izzo, CB Sundance, Anabel Watson, Mary Jane Sullivan, Rhoda & Mark Berenson, Jeff McMahon, Gregg Bordowitz, Klaus Kertess, Billy Sullivan, Eric Hanson, Stephen Barker, David Armstrong, Stephen Andrews, Corey A. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]