Exhibition catalogue published in conjunction with show held at University Galleries, Illinois State University, Normal, Illinois, September 27 - November 13, 1988. Traveled to University Art Galleries, Wright State University, Dayton, Ohio, January 10 - February 10, 1988; Contemporary Arts Museum, Houston, Texas, March 25 - May 28, 1989; Museum of Contemporary Art, Chicago, Illinois, July 1 - August 13, 1989; Freedman Gallery, Albright College, Reading, Pennsylvania, September 6 - October 8, 1989. ... [details]
Fifth printing of an exhibition catalogue published in conjunction with show held at the Solomon R. Guggenheim Museum, New York, in 1978. Traveled to the Museum of Fine Arts, Houston; the Walker Art Center, Minneapolis; and the Los Angeles County Museum of Art, Los Angeles. ... [details]
Exhibition catalogue published in conjunction with show held October 1988. Essay by John Yau. Includes biography and bibliography. [details]
Exhibition catalogue published in conjunction with show held March 1988. Essay by Alexandra Munroe. Includes biography. [details]
Three coins [details]
Exhibition announcement card for show which opened March 19, 1988. [details]
Exhibition catalogue published in conjunction with show held October 29 - November 29, 1988. Text by Susan Freudenheim. Includes artist biography and public exhibitions. Illustrated with works in exhibition. [details]
Exhibition catalogue published in conjunction with show held at Kunsthalle Winterhur in 1988. The introduction is a negative review of a previous exhibition of Kippenburger's work held at Galerie Borgmann-Capitain. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Techniques of the Observer," by Jonathan Crary; "The Ends of Art according to Beuys," by Eric Michaud; "Joseph Beuys, or The Last of the Proletatians," by Thierry de Duve; "Haacke, Broodthaers, Beuys," by Stefan Germer; "The Sound of O in Othello: The Real of the Tragedy of Desire," by Joel Fineman; "Lacan's Psychoanalysis, or The Figure in the Screen," by Shoshana Felman; "Reproducing Nature: The Museum of Natural History as Nonsite," by Ann Reynolds. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]