Exhibition catalogue published in conjunction with show held at the American Pavilion at the 41st Venice Biennale, Italy, June 10 - September 30, 1984. Text by Marcia Tucker. Artists included in the exhibition are Richard Bosman, Roger Brown, Louisa Chase, Janet Cooling, Peter Dean, Reverend Howard Finster, Eric Fischl, Charles Garabedian, Jedd Garet, April Gornik, George Thurman Green, Barbara Kassel, Cheryl Laemmle, Robert Levers, Judith Linhares, John Mendelsohn, Melissa Miller, Ronald Morosan, Lee N. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Exhibition catalogue published in conjunction with three exhibitions : Fashion Moda, December 13, 1980 - January 8, 1981. Traveled to Taller Boricua, January 17 - February 5, 1981; Artists Invite Artists, February 14 - March 5, 1981. ... [details]
Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]
September 1974 issue of Art-Language featuring collaborative contributions. Contributions by Ian Burn, Mel Ramsden, Terry Smith, Terry Atkinson, David Bainbridge, Michael Baldwin, Michael Corris, Charles Harrison, Preston Heller, Graham Howard, Harold Hurrell, Joseph Kosuth, Andrew Menard, Philip Pilkington, David Rushton. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]