Exhibition catalogue published in conjunction with show held at the Corcoran Gallery of Art, Washington, D.C., December 21, 2002 - March 10, 2003. Curated and with a text by Jonathan P. Binstock. Foreword by Jacquelyn Days Serwer. ... [details]
Exhibition catalogue published in conjunction with show held March 22 - May 25, 2002. Text by Christophe Van de Weghe. Includes exhibition checklist, biography, and selected bibliography. Printed in black-and-white. [details]
Three hole punched exhibition brochure published in conjunction with show held September 20, 2001 - June 16, 2002. Includes text by Lynne Cooke, notes, artist's biography, selected bibliography and site map. [details]
Exhibition catalogue published in conjunction with show held at Museum Kunst Palast, Dusseldorf, Germany, February 2002. Traveled to Pori Art Museum, Pori, Finland, May 2002; and Musée d'Art Contemporain, Lyon, France May 22 - August 10, 2003. ... [details]
Monograph on a series of work by Wim Delvoye in which Delvoye added his own signature to art made by children between 1968 - 1971. Designed by Kim Beirnaert with Wim Delvoy. [details]
Catalog 40 distributed in April 2002 by the late San Francisco book dealer Steven Leiber offering for sale 331 items, most of which were duplicate copies from The Ruth & Marvin Sackner Archive of Concrete and Visual Poetry in Miami Beach, Florida. ... [details]
Exhibition catalogue published in conjunction with show held September 7 - October 6, 2001. Includes an interview with Donny O'Rourke by Lucy Mackenzie; "Walter Womacka," by Werner Klemke; Interview with Jacob Jugashvili by Mackenzie; lyrics to the song "Free," by Lawrence; "Semi-Precious Records," by Mackenzie; and more. ... [details]
Artist's book by Martin Parr featuring full color photographs of people on their cell phones in Europe, Hong Kong, Japan, United Kingdom, United States, and "Rest of the World." Signed and numbered by Parr. [details]
Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]
