Documents exhibitions from the first eight years of the New York alternative art space 112 Workshop. Entries are organized in chronological order, with textual information on the artists involved in each exhibition, as well as full page reproductions of works shown. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
Issue of the periodical Avant-Garde featuring 8 page photo-essay by Mary Ellen Mark, titled "High Time," documenting hipsters of the era shooting up. Additional contributions by Lambert Wintersberger, Warner Brown, Dorothy Bates, Dieter Schwertberger, Warren Boroson, Lemuel Gulliver, Leonard Freed, Frederick L. ... [details]
Compendium of artists' projects published to commemorate the first five years of activity of Yvon Lambert's Paris gallery. Postface by Michel Claura in French and English. Featuring pageworks / artists' projects by Carl André, Arakawa, David Askevold, Robert Barry, Bill Beckley, Marcel Broodthaers, an original pagework consisting of two hand-torn sheets by Daniel Buren, Christo, Hanne Darboven, Daniel Dezeuze, Jan Dibbets, Hamish Fulton, Douglas Huebler, Alain Jacquet, On Kawara, Edward Kienholz, David Lamelas, Sol Lewitt, Richard Long, Robert Mangold, Brice Marden, Dennis Oppenheim, Edda Renouf, François Ristoru, Robert Ryman, Salvo, Fred Sandback, Niele Toroni, Richard Tuttle, Cy Twombly and Lawrence Weiner. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Gerald Marzorati on Leon Golub," by Gerald Marzorati; "On Site: Norman L. Kleeblatt on La Maison Rouge," by Norman L. Kleeblatt; "Tech: Pamela M. Lee on the Demise of the Slide Projector," by Pamela M. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Hannah Feldman on Raymond Hains and Arman," by Hannah Feldman; "Passages: Justin Spring on Ismail Merchant," by Justin Spring; "Books: Yve-Alain Bois on the Russian Avant-garde," by Yve-Alain Bois; "Film: J. ... [details]
"''Black Noise'' is an acoustical term for a nearly inaudible frequency. It is a fitting title for this tribute to the respected New York painter and musician Steven Parrino, who died in a motorcycle accident on New Year''s Day, 2005, at the age of 46. ... [details]
Winter 2009 issue of Fillip. "Fillip is a publication of art, culture, and ideas issued three times a year by the Projectile Publishing Society and Emily Carr University of Art and Design. Crossing academic, artistic, and related practices, Fillip acts as a forum for critical discussion in the contemporary arts and situates itself as a complement to and stimulus for contemporary art practices and discourses. ... [details]
