"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Collection of thoughts about television edited by Barbara Kruger with essays by Hal Foster, Carol Squiers, Phil Mariani, Rosetta Brooks, Lyn Blumenthal, Lynne Tillman, Amy Taubin, Dan Graham, Gary Indiana, Susan Morgan, Judith Barry, Richard Prince, Larry Gross, Mark Rappport, Charles Hagen, Dara Birnbaum, Peter Nagy, Stephen Prina, Gretchen Bender, Douglas Blau, Mick Eaton, and Christopher Williams. [details]
Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
Critical anthology of writing on modernism edited by Brian Wallis and foreword by Marcia Tucker. Includes essays by Kathy Acker, Roland Barthes, Jean Baudrillard, Walter Benjamin, Jorge Luis Borges, Benjamin H. ... [details]
Exhibition catalogue published in conjunction with show held May 16 - August 10, 1997. Texts by Donald Judd, Prudence Carlson, John Coplans and Hal Foster. Includes exhibition checklist, biographical notes, and a bibliography. ... [details]
Exhibition catalogue published in conjunction with show held April 7 - June 10, 1984. Curated and with an introduction by I. Michael Danoff. Essay by Hal Foster. Includes an artist's statement, biography, and exhibition checklist. [details]
Exhibition catalogue published in conjunction with show held at Los Angeles County Museum of Art, Los Angeles, CA, October 1 - December 31, 1989. Traveled to Museum of Contemporary Art, Chicago, IL, February 17 - April 22, 1990; and the Wadsworth Atheneum, Hartford, CT, June 9 - September 2, 1990. ... [details]
Exhibition catalogue published in conjunction with show held June 21 - August 10, 1986. Curated and edited by Brian Wallis. Includes texts and/or artists' projects by exhibiting artists: Gretchen Bender, Allan McCollum, Hal Foster, Louise Lawler, Haim Steinbach, Junsten Ladda, Barbara Bloom, Deborah Bershad, Jeff Koons, Andrea Fraser, Judith Barry and Ken Lum. ... [details]
Exhibition catalogue published in conjunction with show held September 25 - November 30, 1986. Curated by David Joselit and Elisabeth Sussman. Extensive essays by Thomas Crow, Yve-Alain Bois, Hal Foster, Bob Riley, Joselit, Sussman. ... [details]
Monograph / exhibition catalogue published in conjunction with exhibition held at Swiss Pavilion of the 2011 Venice Biennale, 2011. "Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn's practice. ... [details]
