Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Volume 25, Number 5 issue of "Leonardo : Journal of the International Society for the Arts, Sciences and Technology" doubling as an exhibition catalogue for the "Third Annual New York Digital Salon" held at the School of Visual Arts, New York, November 13 - 27, 1995. ... [details]
Exhibition catalogue published in 2011 following a 2006 exhibition of the same name held at Jack Tilton Gallery in New York. Traveled to Roberts & Tilton, Los Angeles in 2007 with some changes. Edited by Connie Rogers Tilton and Lindsay Charlwood. ... [details]
Two loose double sided announcement cards published in conjunction with exhibition held May 15 - June 15, 1986 and the afterparty held in honor of Patti Astor, Barbara Braathen, and Leo Castelli. Artists include Vito Bruno, Roman Ricardo, Fred Brathwaite, Pontus Carle, Stefano Castronovo, Francesco Clemente, Rich Colicchio, George Condo, Arch Connelly, Jiri Georg Dokoupil, Doze, ERO, Jedd Garet, Gerard Garouste, Laura Grisi, Nancy Giesman, Keith Haring, Kiely Jenkins, Cletus Johnson, Steven Kramer, Barbara Kruger, Roy Lichtenstein, Donald Lipski, Michael Lucero, Robert Morris, Bruce Nauman, Mike Parker, Rammellzee Mic Controller, James Rosenquist, Andy Warhol, Melody D'Arnell, Katy Bolger, Armand Saiia, and Hanson and Davis. [details]
Issue edited by John Irwin. Photo essay "Seattle World's Fair." Reviews by Henry T. Hopkins, Joan Hugo, Doug McClellan, Constance Perkins, Larry Rottersman, Arthur Secunda, Gerald Nordland, Walter Hopps, Fred Martin, E. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Exhibition catalogue published in conjunction with show held at the National Gallery of Art, Washington, DC, November 18, 1984 - February 24, 1985. Texts by Ruth E. Fine, J. Carter Brown and Bruce Davis. ... [details]
Fifth and final edition of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 550 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Complete set consisting of volumes number 1 [unnumbered], 2, 3, 4 and 5. All published versions. Exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]