Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. ... [details]
Issue Number 8 of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas, published in 14 sections housed in a printed envelope. Contents include: Section 1: "Editorial Note; Ends," by Dan Graham, printed on the envelope of the publication; Section 2: "In Place of a Lecture: Three Musics for Two Voices," by David Antin; Section 3: "Hot/Cold Book," by Terry Atkinson and Michael Baldwin; Section 4: "1 + 1 for One Player and Amplified Table-Top Score," by Philip Glass; Section 5: flexi-disc recording featuring "Young Turtle Asymmetries," by Jackson MacLow and "Drift Study 31 1 69," by La Monte Young; Section 6: "Pendulum Music for Microphones, Amplifiers, Speakers and Performers," by Steve Reich on recto and "Lead Shot," by Richard Serra on verso; Section 7: "Notes on the Continuous Periodic Composite Sound Waveform Environment Realizations," by La Monte Young; Section 8: "Three Distributions," by Yvonne Rainer; Section 9: "Art & Vision : March Bands," by Jo Baer; Section 10: "Introduction to the Young Turtle Asymmetries," by Jackson Mac Low; Section 11: "Ecological Projects," by Dennis Oppenheim and "Los Angeles Project," by Robert Morris; Section 12: "Strata: A Geophotographic Fiction" by Robert Smithson; Section 13: "Parking Lot," by Edward Ruscha; and Section 14: Aspen Magazine Order Form. ... [details]
Artist's book by Terry Atkinson and Michael Baldwin published as part of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas. [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Single sided card / announcement in a printed envelope published in conjunction with opening held June 22, 1971. [details]
Poster published in conjunction with show opening on December 8, [1979]. Exhibition included Gerard Hovagimyan, Maureen Owen, Suzanne Harris + Friends, George Brecht, Mike Balog, Daffy + Friends, Ralston Farina, Al Hansen, and Brendan Atkinson. ... [details]
Exhibition catalogue published in conjunction with show held February 13 - April 1, 1980. Text by Riva Casteman. Artists include Josef Albers, Pierre Alechinsky, Shusaku Arakawa, Richard Artschwager, Geneviéve Asse, Terry Atkinson, Michael Baldwin, Jennifer Bartlett, George Baselitz, Romare Bearden, Joseph Beuys, Mel Bochner, Claudio Bravo, Marcel Broodthaers, Pol Bury, Rafael Canogar, Patrick Caulfield, Eduardo Chillida, Christo, Carlfriedrich Claus, Chuck Close, Allan D'Arcangelo, Richard Diebenkorn, Jim Dine, Gudmundur Erró, Richard Estes, Oyvind Fahlström, Robert Filliou, Lucio Fontana, Helen Frankenthaler, Franz Gertsch, Gotthard Graubner, Alan Green, Richard Hamilton, Michael Heindorff, Michael Heizer, Anton Heyboer, David Hockney, Howard Hodgkin, Pieter Holstein, Bryan Hunt, Shoichi Ida, Robert Indiana, Rolf Iseli, Alain Jacquet, Alfred Jensen, Jasper Johns, Donald Judd, On Kawara, Ellsworth Kelly, R. ... [details]
Facsimile reprinted edition of the full five volume run of Art-Language in 21 volumes housed in a printed slipcase. Includes an introduction to the facsimile edition and an author index and title index. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
