Anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. ... [details]
Exhibition catalogue published in conjunction with show held on the 35th anniversary of the Angela Flowers Gallery. Introduction by Robert Heller. Artists include Glenys Barton, Glen Baxter, George Blacklock, Boyd and Evans, Edward Burtynsky, Stephen Chambers, Bernard Cohen, Ken Currie, Amanda Faulkner, John Gibbons, Alan Gouk, Friedemann Hahn, David Hepher, Nicola Hicks, Derek Hirst, Carole Hodgson, Peter Howson, Patrick Hughes, Neil Jeffries, Lucy Jones, John Keane, Michael Kidner, John Kirby, Henry Kondracki, Tim Lewis, John Loker, John McLean, Jiro Osuga, Eduardo Paolozzi, Freya Payne, Tom Phillips, Steven Pyke, Carol Robertson, Tai-Shan Schierenberg, Jack Smith, Richard Smith, Trevor Sutton, Renny Tait, Brian Wall and Gary Wragg. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum Fodor, Amsterdam, September 8 - October 14, 1990. "This book is the result of the unique international event 'Art Meets Science and Spirituality in a Changing Economy" - a forum for artists, scientists, representatives of spiritual traditions and experts on economic and social developments to discuss the fundamental issues facing us today. ... [details]
"Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]
Issue edited by Jack Bankowsky. Essays "All Around Esthetes: Jeffrey Slonim on the Most Moving Pictures," by Jeffrey Slonim; "American Myths: J. Hoberman on the Summer of '69," by J. Hoberman; "Theater: Maria Nadotti on 'Venezia Salva,'" by Maria Nadotti; "Fashion: Hilton Als on Grease," by Hilton Als; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Letter from Munich," by Ingrid Rein; "People's Parties: Bully Sullivan and Marcelo Krasilcic," by Jack Pierson; "Philip Taafe: 'Al Quasbah,'" by Edmund White; "Critical Reflections," by Peter Schjeldahl with an introduction by Robert Storr; "Some Aspects of Color in General and Red and Black in Particular," by Donald Judd with Remembrances by Richard Serra, Larry Bell, Paula Cooper, Arne Glimcher, John Wesley, Hannah Green, Roni Horn, David Rabinowitch, and Douglas Baxter; "Rising Sign: Return of 'Spiral Jetty,'" by Jean-Pierre Criqui; "Yo Morris," by Thomas Crow; "Home Made Strange," Jean-Pierre Criqui talks with Marc Augé. ... [details]
Issue edited by Jack Bankowsky. Essays "Arthur C. Danto on Meyer Shapiro," by Arthur C. Danto; "Linda Nochlin on Jill Johnston," by Linda Nochlin; "Harold Bloom on Gershom Scholem and Theodor W. Adorno," by Harold Bloom; "Lisa Lieberman on Douglas Rushkoff," by Lisa Lieberman; "Rhonda Lieberman," on Douglas Rushkoff; "Richard Flood on Marvin Heiferman and Susan Kismaric," by Richard Flood; "Gary Indiana on Marianne Faithfull," by Gary Indiana; "Howard Hampton on David Weddle," by Howard Hampton; "bell hooks on Derek Jarman," by bell hooks; "Collier Schorr on Robert Rosenblum," by Collier Schorr; "Richard Martin on Martin Harrison and Anne Ehrenkranz," by Richard Martin; "Bruce Hainley on Avital Ronell," by Bruce Hainley; "Larissa MacFarquhar on Susan J. ... [details]
Issue edited by Tim Griffin. Essays "Film: Best of 2004," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, and Jonathan Romney; "Music: Best of 2004," by Christoph Cox, Marina Rosenfeld, Arto Lindsay, Johanna Fateman, and Dennis Cooper; "Books: Best of 2004" by Arthur C. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Waiting for Godot," by Tim Griffin; "Film: Best of 2007," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, and T.J. Wilcox; "Music: Best of 2007," by Damon Krukowski, Kim Gordon, David Byrne, Marissa Nadler, Alex Waterman, and Julian House; "Books: Best of 2007," by Brigid Doherty, Arthur C. ... [details]
