February 1988 issue of Artforum, edited by Ingrid Sischy. Includes the following artists in conversation with Thomas McEvilley, Lucas Samaras, and Ingrid Sischy: Arthur Danto, Peter Schjeldahl, C. Carr, Robert Rosenblum, Gary Indiana, Jack Burnham, Roberta Smith, Glenn O'Brien, Thomas Lawson, Bernard Tschumi, Rosetta Brooks, Sidney Geist, Ben Lifson, Brian O'Doherty, Donald Kuspit, Guerrilla Girls, Carter Ratcliff, Kay Larson, Germano Celant, Thomas McEvilley, and Lucas Samaras. ... [details]
Issue number 40 of Galeries Magazine, edited by Florette Camard. Contents include: "Bajo el Volcàn," by Remo Guidieri; "La Page de Ben;" "Telegrammes," by Brigitte Cornand; "Auction News," by Jérôme Saglio; "L'intuition du Rouge," by Alain Bonfand; "Jean Prouvé," by Dominique Clayssen; "Ancêtres et Trophées," by Patrice Godin; "Ken Lum," by Jean-François Chevrier; "Gary Hill," by Jacinto Lageira and Christine van Assche; "Mind Over Matter," by Kay Larson; "Franz Graf," by Robert Fleck; "Hélène Delprat," by Pierre Courcelles; "Didier Vermeiren," by René Denizot; "Richard Long," by Roger Bevan; "Jean Baudrillard & Enrico Baj;" "Ulrich Loock,' by René Denizot; "Mary Boone," by Frederic Tuten; "Peter Fleissig," by Matthew Collings; "Vertigo - H. ... [details]
Exhibition catalogue published in conjunction with show held at The Drawing Center, New York, February 24 - April 6, 1996. Texts by exhibition organizer and artist Julie Ault and artist and writer Thomas Lawson. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
A profusely illustrated documentation of New York City's Lower East Side "alternative" space ABC No Rio. Edited by Alan Moore and Marc Miller. Contributions by Moore, Miller, Lucy R. Lippard, Leonard Abrams, Walter Robinson, Steven Vincent, Eric Darton, Group Material, Thomas Lawson, Elizabeth Hess, Tim Rollins, Peter Hall, PADD, J. ... [details]
Exhibition catalogue published in conjunction with show held March 12 - April 19, 1981. Texts by Janet Kardon and Kay Larson. Artists include: Vito Acconci, Alice Aycock, Dennis Oppenheim. Includes die-cut cover, black & white illustrations, chronology of "machineworks" produced by the exhibited artists and exhibition checklist. [details]
Exhibition catalogue published in conjunction with show held April 22 - June 13, 1993. Traveled to the Palais de Beaux-Arts, Bruxelles, Belgium, June 17 - August 28, 1994; and MAC, Galeries Contemporaines des Musées de Marseille, France, September 23 - December 11, 1994. ... [details]
Exhibition catalogue published in conjunction with show held at MAC, Galeries Contemporaines des Musées de Marseille, France, September 23 - December 11, 1994. The show originated at IVAM, Centro Julio Gonzalez, Valencia, Spain, April 22 - June 13, 1993 and then traveled to Palais de Beaux-Arts, Bruxelles, Belgium, June 17 - August 28, 1994. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]