Issue edited by Tim Griffin. Essays "Film: Best of 2005," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, Isaac Julien; "Music: Best of 2005," by Dennis Cooper, Stephen Vitiello, Christoph Cox, Susie Ibarra, and Debra Singer; "Books: Best of 2005," by Yve-Alain Bois, Pamela M.
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Issue edited by Tim Griffin. Essays "Passages: Michael Fried on Jules Olitski," by Michael Fried; "Passages: Thomas Lawson on Michael Hurson," by Thomas Lawson; "Books: Caroline A. Jones on David Joselit," by Caroline A.
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Two volumes: "FACE: Investigations of a Dog, Works From Five European Art Foundations," and "Så som du hade berättat det för mig (ungefär) om vi hade lärt känna varandra innan du dog," published in conjunction with a traveling exhibition first presented at the European Parliament in Brussels in 2008.
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"Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms.
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