Issue edited by Philip Leider. Essays "Scale and the Future of Modernism," by Sidney Tillim; "The Sculpture of Duchamp-Villon," by Albert Elsen; "The Constructivist Ethos, Part II," by Ronald Hunt; "Abstract Illusionism," by Barbara Rose; "Problems of Criticism II: Complaints of an Art Critic," by Clement Greenberg; "Sculpture in Canada," Harry Malcolmson; "A Note on the Canada Council," by David P. ... [details]
Issue edited by Philip Leider. Essays "Gothic Parallels," by Sidney Tillim; "Olitski and Shape," by Michael Fried; "Manet at Philadelphia," by Clement Greenberg; "David Novros," by John Coplans; "Walter de Maria," by Dennis Adrian; "10 x 10," by Annette Michelson; "Yves Klein," by Ronald Hunt; "Edward Higgins," by Dennis Adrian; "The Age of Rembrandt," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "The Razed Sites of Carl Andre," by David Bourdon; "Nakian at the Modern," by Barbara Rose; "Notes on Sculpture, Part II," by Robert Morris; "Two Showings of Younger Los Angeles Artists," by Fidel A. ... [details]
Letters to the editor by Dan Flavin, and John Coplans. Features essay by Morris titled "Anti Form," Spector's essay "Freud and Duchamp : The Mona Lisa 'Exposed'." Production design by Eddie Russia [Edward Ruscha]. [details]
Issue edited by Philip Leider. Essays "The Art of H.C. Westermann," by Dennis Adrian; "The Constructivist Ethos, Part I," by Ronald Hunt; "New Paintings by Albert Stadler," by Kermit Champa; "Chuck Ginnever," by Lawrence Alloway; "Problems of Criticism, I: Varieties of Critical Experience," by Robert Goldwater; "Morandi: A Critical Note and a Memoir," by Sidney Tillim; "The Trouble with Russian Painting," by Robert Pincus-Witten; "Bruce Conner Makes a Sandwich," by Bruce Conner. ... [details]
Contains Fried's "Art and Objecthood," Morris' "Notes on Sculpture, Part 3," Rose on Claes Oldenburg, Smithson's essay "Towards the Development of an Air Terminal Site," and LeWitt's essay "Paragraphs on Conceptual Art," as well as a letter to the editor by Andre. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
Compendium of reproductions of articles and reviews by and about Sister Mary Corita. Includes texts by Corita, P.M. Laporte, D. Frédéric Debuyst, Ralph Caplan, Helen Brsick, Guy Northrop, Campbell Geeslin, Connie Parvey, Edgar Driscoll, Irving Sandler, Robert Taylor, Margaret Rigg, Ned O'Gorman, William R. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. ... [details]