Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
March 1989 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Marit Werenskiold, Christopher Finch, Donald B. Kuspit, Robert Storr, Ann Temkin, Brian Wallis, Christopher Lewis, Jill Johnston, Ivan Karp, Nancy Princenthal, Holland Cotter, Ken Johnson, John Zinsser, Amy Fine Collins, Bradley Collins, Jr. ... [details]
July 1997 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Kim Bradley, Thyrza Nichols Goodeve, Robert Farris Thompson, Carter Ratcliff, Edmund White, Michael Duncan, Ken Johnson, and Leah Ollman. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Bochner at MOMA: Three Ideas and Seven Procedures," by Robert Pincus-Witten; "Color, Culture, The Stations: Notes on the Barnett Newman Memorial Exhibition," by Lawrence Alloway; "Stella's New Work and the Problem of Series," by Rosalind Krauss; "Thomas Bang," by Kenneth Baker; "Mondrian, Newman, Noland: Two Notes on Changes of Style," by John Elderfield; "Mondrian in New York," by Barbara Rose; "Four Short Essays on Vuillard," by Max Kozloff; "Meaning in the Art of Duchamp (Part I)," by Willis Domingo. ... [details]
Issue edited by John Coplans. Essays "Dorothea Rockburne: A Note," by Mel Bochner; "Dorothea Rockburne: Works and Statements," edited by Robert Pincus-Witten; "Dorothea Rockburne: An Interview," by Jennifer Licht; "Reflections on the State of Criticism," by Leo Steinberg; "Larry Poons' New Paintings," by Michael Fried; "On Style: An Examination of Roy Lichtenstein's Development," by Lawrence Alloway; "'The Man with the Movie Camera': From Magician to Epistemologist," by Annette Michelson; "From the Notebooks of Dziga Vertov," translated by Marco Carynnyk; "Ed Moses: The Problem of Regionalism," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "The Whitney Annual, Part I," by Carter Ratcliff; "The Films of Peter Kubelka," by Elena Pinto Simon; "Notes from Underground," by Kenneth Frampton; "Vito Acconci and the Conceptual Performance," by Robert Pincus-Witten; "Léger, Le Corbusier, and Purism," by Rosalind Krauss; "Epic Cubism and the Manufactured Object," by John Elderfield; "Video Obscura," by Douglas Davis; "A Note on Caro Influence: Five Sculptors from Bennington," by Joseph Masheck; "Michael Asher: The Thing of It Is. ... [details]
