Poems created by Johnson from Satie's notes, originally in French, to the piano pieces that comprise "Sports and Divertissments." All texts in English. With drawings by John Furnival. [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
Critical review of art of the 1980s by Barbara Rose illustrated with portraits of the artists alongside an image of one of their works, and statements by the artists. Portrait photographs by Steven Sloman. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Curies Children: Vilém Flusser on Popes," by Vilém Flusser; "Special Effects: Carol Squiers on Truth Value," by Carol Squiers; "Commedia Dell'A: Homoeroticism Blues, A Project for Artfourm," by Howard Cruse; "Like Art: Glenn O'Brien on Luxury," by Glenn O'Brien; "Ground Up: Herbert Muschamp on California Archictecture," by Herbert Muschamp; "Critical Fictions: Clive Phillpot on Changing of the Garde," by Clive Phillpot; "Slant: David Frankel on a Czechered History," by David Frankel; "A Drawing Page: Untitled: A Project for Artforum," by Jim Dine; "Seeing the Scene: With 'Baptism of Solitude,' A Project for Artforum," by Karl Johnson; "Temptation," by Kenneth Baker; "Oil and Water: With 'Oil Rooms,' a project for Artforum," by Per Barclay; "The Obligatory Bed Piece: Jessica Stockholder," by Jack Bankowsky; "Critical Reflections," by Kay Larson; "A Theory of Everything: Meditations on Total Chaos," by Vivian Sobchack; "Hujar," by Max Kozloff. ... [details]
"In this new book, America's most interesting and controversial writer on art clarifies the mysteries and conflicts of contemporary painting, sculpture, Happenings, kinetics, etc., and illuminates their relevance for our time. ... [details]
Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Exhibition catalogue published in conjunction with show held June - October 1987. Essays by Leo Castelli, Roberto Littman, Calvin Tomkins, Robert Pincus-Witten, and Judith Goldman, and an interview between Castelli and Mary Jo Marks. ... [details]