Exhibition catalogue within ring binder published in conjunction with show held in 1974. Texts by René Berger, Jole De Sanna. Includes project descriptions and images from artists in exhibition including Allan Kaprow, Denis Oppenheim, Vito Acconci, Vincenzo Agnetti, Gianni Colombo, Eric Andersen, Eleanor Antin, Mike Barnard, David Green, Rene Bauermeister, Christian Boltanski, Trisha Brown, Paolo Pier Calzolari, Groupe Cap, Center of Art and Communication Third World Editions , Giuseppe Chiari, Andrea Daninos, Douglas Davis, Tom Dean, Dimitri Devyatkine, Antonio Dias, Nusa & Sreco Dragan, Don Druick, Bill & Louise Etra, Valie Export, Luciano Fabro, Herve Fischer, Fred Forest, Simone Forti, Jochen Gerz, Luciano Giaccari, Paul Goede, Dan Graham, Group of the Thirteen, Group of the Thirteen - Center of Art and Communication, William Gwin, Warner Jepson, Bruce W. ... [details]
1973 issue of Art-Rite edited by Joshua Cohn, Walter Robison, and Edith deAk. Images by Ted Stamm, Elbert Weinberg, Bentley Campbell, Charles Simonds, Bradford Graves, Les Levine, Marty Greenbaum, Alam Suicide, Tony King, Gordon Matta-Clark, Roger Welch, Claus, Peter Grass, Holly, Nancy Holt, Mary Miss, William Schneck, Julias Tobias, Tommy Schmidt, Christo, Abby Gerd, and Mike Robison. ... [details]
Documents exhibitions from the first eight years of the New York alternative art space 112 Workshop. Entries are organized in chronological order, with textual information on the artists involved in each exhibition, as well as full page reproductions of works shown. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
Exhibition catalogue published in conjunction with show held at the Denver Art Museum, July 13 - August 26, 1979. Traveled to the University of Southern California Art Galleries, San Diego, October 11 - November 25, 1979; the Honolulu Academy of Art, April 4 - May 18, 1980; the Oakland Museum, California, June 17 - July 27, 1980; the University Art Museum, University of Austin, Texas, September 4 - October 19, 1980; and the Herbert F. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Exhibition catalogue published in conjunction with show held at the Solomon R. Guggenheim Museum, New York, 1987. Text by Diane Waldman. Artists included in the exhibition are Martine Aballea, Phoebe Adams, Siah Armajani, Richard Baquie, Peter Booth, Pegan Brooke, Scott Burton, Sandro Chia, Julie Cohen, Enzo Cucchi, Scott Davis, Bernard Faucon, Philippe Favier, Heidi Glück, Anthony Peter Gorny, Alan Green, Denise Green, Carol Hepper, Bryan Hunt, Whit Ingram, Mark Innerst, Tobi Kahn, Aaron Karp, Mark Kloth, Barbara Kruger, Rex Lau, Ange Leccia, Tom Lieber, Robert Lawrence Lobe, Nino Longobardi, Mandy Martin, Michael C. ... [details]
![[Untitled]](/objects/images/s18115.jpg "[Untitled]")
Contributions by Oren Slor, Matthew Higgs, Paul Thek, Raymond Pettibon, Sam Gordon, Rene Santos, Lily van der Stokker, B. Wurtz, Jesse Bransford, Ernst Toch, David Moreno, Kay Rosen, Ricci Albenda, David Robbins, General Idea, Anthony Campuzano, Chris Burden, David Malek, Larry Clark, Alghiero E. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
