Exhibition catalogue published in conjunction with show held December 13, 1961 - February 4, 1962. Artists included in the exhibition are Pat Adams, Josef Albers, Ivan Albright, Milton Avery, Rudolf Baranik, Robert Barnes, Will Barnet, William Baziotes, Janice Biala, Elmer Bischoff, Isabel Bishop, Peter Blume, Seymour Boardman, Ilya Bolotowsky, Ernest Briggs, Robert Broderson, James Brooks, Charles Burchfield, Paul Cadmus, Lawrence Calcagno, Nicolas Carone, Edmund Casarella, Giorgio Cavallon, Carmen Cicero, Carroll Cloar, Edward Corbett, Ralston Crawford, Nassos Daphnis, Stuart Davis, Elaine de Kooning, Richard Diebenkorn, Enrico Donati, Jimmy Ernst, Philip Evergood, Perle Fine, Seymour Fogel, Sam Francis, Helen Frankenthaler, Jared French, Elaine Galen, Lee Gatch, Thomas George, Paul Georges, Edward Giobbi, Joseph Glasco, Michael Goldberg, Sidney Goodman, Robert Goodnough, Adolph Gottlieb, Morris Graves, Cleve Gray, Balcomb Greene, Stephen Greene, Philip Guston, Grace Hartigan, John Heliker, Margo Hoff, Hans Hofmann, Carl Holty, Edward Hopper, Angelo Ippolito, Paul Jenkins, Jasper Johns, Wolf Kahn, Ellsworth Kelly, William Kienbusch, Franz Kline, Karl Knaths, Yayoi Kusama, Jacob Lawrence, Alfred Leslie, Jack Levine, Denver Lindley, Michael Loew, David Lund, Loren Maciver, Leo Manso, Conrad Marca-Relli, Nicholas Marsicano, Richard Mayhew, Gerald McLaughlin, George McNeil, Samuel M. ... [details]
Exhibition catalogue published in conjunction with show held February 3 - April 28, 2002. Texts by Lionel Bovier, Fabrice Stroun, Helene Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jak Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Grenville, and Goldstein. ... [details]
Exhibition catalogue published in conjunction with show held at the Frankfurter Kunstvereins, September 30 - November 26, 1995. Essays by Wilfried Wiegand and Peter Weiermair. Artists in the exhibition include Berenice Abbott, Ansel Adams, Manuel Alvarez Bravo, Diane Arbus, Eugène Atget, Richard Avedon, Maurice Beck, Helen MacGregor, Hans Bellmer, Ruth Bernhard, Werner Bischof, Erwin Blumenfeld, Margaret Bourke-White, Brassaï, Anne Brigman, Francis Brugiuère, Robert Capa, Jewgeni Chaldej, Paul Citroen, Alvin Langdon Coburn, John Coplans, Imogen Cunningham, Fred Holland Day, Robert Demachy, Minya Diéz-Dührkoop, Robert Doisneau, Frantisek Drtikol, Harold Edgerton, William Eggleston, Gerard Pieter van Elk, Ed van der Elsken, Hugo Erfurth, Andreas Feininger, Larry Fink, Robert Frank, Mario Giacomelli, Ralph Gibson, Baron Wilhelm von Gloeden, Jan Groover, Hervé Guibert, Ernst Haas, Fritz Henle, Hugo Henneberg, Lewis Wickes Hine, Oscar Hofmeister, Theodor Hofmeister, Emil Otto Hoppé, Peter Hujar, Alfredo Jaar, Bill Jacobsen, Gertrude Käsebier, André Kertész, William Klein, Barbara Klemm, François Kollar, Josef Koudelka, Germaine Krull, Heinrich Kühn, Jacques-Henri Lartique, Erna Lendvai-Dircksen, Felix H. ... [details]
Issue edited by Ingrid Sischy. Essays "The Perils of Hindsight," by John Bernard Myers; "Gust, Gusto, Guston," by Carrie Rickey; "From the Series 'Outside the White House,'" by Rosalind Solomon; "Terry Allen (On Everything)," by Marcia Tucker; "Sex and Death and Shock and Schlock: A Long Review of The Times Square Show," by Anne Ominous; "Autochromes: The Bouquet of Lighted Air," by Max Kozloff; "Civil War: Artist Contra Critic," by Donald B. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "The Gallery as a Gesture," by Brian O'Doherty; "The Radiant Child," by Rene Ricard; "A Project," by Nicholas Nixon; "Absent-Minded Female Nude on Bed," by Peter Schjeldahl; "Not Post-Modernism: History as Against Historicism, European Archetypal Vernacular in Relation to American Commercial Vernacular, and the City as Opposed to the Individual Building," by Dan Graham; "Looking at Life," by Carol Squiers; "A Conversation with Pontus Hulten About the New Los Angeles Museum of Contemporary Art. ... [details]
Issue edited by Ingrid Sischy. Essays "Solidarnos," by Lawrence Weschler; "Bop Art," by Glenn O'Brien; "Forged Image: Centerfold," by Andy Warhol; "Forged Image: Portrait of Andy Warhol," by Christopher Makos; "Issey Miyake: Sewing a Second Skin"; "Juke Joint Jazz," by Marie Cosindas; "Paradise and Lunch: Advertising's Architecture of Heaven," by Bazon Brock; "Altered States: Newspaper Photographs," by Harold Evans; "Vulgar Modernism," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Editorial: An Appreciation of H.C. Westermann; "Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke," by Benjamin H.D. Buchloh; "Approaching the Abyss: Monet's Era," by Roger Shattuck; "Strangers in a Strange Land: Timothy O'Sullivan and Henry Adams," by Colin Westerbeck; "Scattered Pictures: The Movies of Werner Schroeter," by Gary Indiana; "Looking Up at Jeff Wall's Modern 'Appassionamento,'" by Donald Kuspit; "Clay and Bronze," a project by Lucas Samaras; "Books: Robert Kushner on 'Man as Art,'" by Robert Kushner. ... [details]
