Issue edited by Tim Griffin. Essays "Paul Griffiths on György Ligeti," by Paul Griffiths; "James Quandt and John Kelsey on Jean-Luc Godard at the Centre Pompidou," by James Quandt and John Kelsey; "Christoph Cox on 'Sonambient,'" by Christoph Cox; "Tech: Steven Henry Madoff on Marcel van Eeden and Aneta Grzeszykowska," by Steven Henry Madoff; "Media: David Joselit on Jenny Holzer and 'Consider This. ... [details]
Full run set of of the biannually published periodical Gagarin. "Gagarin The artists in their own words is entirely dedicated to the publication of unpublished written texts by artists who are now working, anywhere in the world. ... [details]
"Co-organized by Hans Ulrich Obrist and Philippe Parreno as a group exhibition that would occupy time rather than space, "Il Tempo del Postino" usurped the durational dimension of theater by presenting time-based art on the stage of the Manchester Opera House (July 12 – 14, 2007). ... [details]
Exhibtions catalogue published in conjunction with show held at the Centre National D'Art Contemporain De Grenoble, France, April 5 - September 7, 1997. Traveled to the Center for Contemporary Art & Architecture, Stockholm, Sweden, October 18 - December 7, 1997. ... [details]
Issue edited by Bice Curiger. Contents include: "Jay Sanders Reads John Knight," by Jay Sanders and John Knight; " "Coexistence, Yes, Equivalence, No." Francesco Bonami in conversation with H.D. Buchloh; "What Do You Plan to Do Next?," John Baldessari in conversation with James Welling; "Revealing Concealing," by Rainer Fuchs; "With Baldessari's Marilyn," by Alexander van Grevenstein; "The Problem with Library Taxonomy," Carol Bove in conversation with Philip Smith; "The Wormhole Theory," by Martin Herbert; "Style and Pastiche," Carol Bove in conversation with Bettina Funcke; "Shadow Play,"by Tom McDonough; "About Overlapping Cultural Histories of Production in Art, Design, and Fashion," by Josiah McElheny in conversation with Lynne Cooke; "Play and Display," by Branden W. ... [details]
DVD of Philippe Parreno's film "The Boy from Mars," originally vacuum sealed and housed in a white cardstock envelope with a descriptive text based sticker.
"This film lasts for 11 minutes and 40 seconds but 48 hours after being removed from its sealed package it will disappear from this support through a process of oxidation.
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