"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Issue edited by John Wilcock. Cover art by Pamela Colman Smith. Essays "The Great American Movie : Even Larger than Life," by Renfreu Neff; "International Dope Conspiracy : Some CIA Strongholds," by Neil Phillips; "Tom Weasel : Buying a Nickel Bag," by Kitchen Comics; "Drugs in Hong Kong : Where it Comes from, How it Leaves," by Michael G. ... [details]
Exhibition catalogue published in conjunction with show held at The Drawing Center, New York, February 24 - April 6, 1996. Texts by exhibition organizer and artist Julie Ault and artist and writer Thomas Lawson. ... [details]
Exhibition catalogue published in conjunction with show held January 16 - March 13, 1983. Essays and interviews by Donald Droll, Jane Necol, Carl Andre, Dore Ashton, Gene Baro, Bill Berkson, David Bourdon, Lawrence Campbell, Paul Cummings, E. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
May 1980 issue of Art in America. Edited by Elizabeth C. Baker. Written contributions by Donald B. Kuspit, Carrie Rickey, Charles F. Stuckey, Peter Schjeldahl, Carter Ratcliff, Martin Filler, Susan Mullin Vogel, Ann-Sargent, Jeffrey Deitch, Michael Leja, John Perreault, Ronny H. ... [details]
Compendium of writing from a poetry workshop conducted by Perreault with elementary school teachers for Project Radius, Dalton, Georgia, June - July, 1972. Introduction by John Perreault. [details]
